A TRAPPER I SEE
1.) Anecdote
2.) Triplets
3.) Rhetorical question
4.) Assertion
5.) Personal pronoun
6.) Possessive pronoun
7.) Emotive language
8.) Repetition
9.) Imperatives
10.) Statistics
11.) Exaggeration
12.) Expert opinion
Activities:
1.) Learn about the twelve persuasive language features using the information below.
2.) Try to spot these features in use. Can you find them in
adverts on television or in political speeches, for example?
Anecdote
|
A
(generally) true story used as an example to support an argument.
|
‘I
remember one time when I was...’
|
Triplet
|
Building a
memorable effect by using three
words or phrases rather than one or two.
|
‘It was a spectacular, mind-boggling, eye-opening
film.’
|
Rhetorical question
|
A question
which prompts the reader or listener to think about the subject.
|
‘Why do we have to go to school?’
|
Assertion
|
A
statement which makes an opinion feel like a fact.
|
‘You will love
this film.’
|
Personal pronoun
|
A word
which replaces a noun. It can be very powerful to use the word ‘you’ or ‘we’
in persuasive writing so the reader or listener feels more involved; using ‘you’
is called ‘Direct Address’.
|
If we do not act now, our environment will
be ruined.
|
Possessive pronouns
|
Words
which explain who something belongs to: ‘my, ‘your’, ‘his’ et cetera. ‘Our’
tends to be more persuasive than ‘my’ because it includes the reader or
listener.
|
If we do
not act now, our futures are at
stake.
|
Emotive language
|
Vocabulary
which makes the reader feel something: anger, sadness, joy, et cetera
|
It is absolutely outrageous that our
politicians are not doing anything about the problem.
|
Repetition
|
The deliberate repeating of words and phrases to achieve
specific effects.
|
We should win; we can win; we will win!
|
Imperatives
|
Command
verbs which tell readers/listeners to do something.
|
Stop! Look! Listen!
|
Statistics
|
Numerical
data (percentages, etc.), used to support arguments:
|
99% of audiences loved this film.
|
Exaggeration
|
Also,
called hyperbole (hy-per-bo-lee), this is deliberate over-emphasis to create
specific effects:
|
The is the greatest film... ever!
|
Expert opinion
|
The use of
an expert’s advice/views to support a particular argument:
|
Oscar winner, Brad
Pitt, remarked that he loved this film.
|
thanks for nothing
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